Tuesday, September 7, 2010

Review: Sanjh

Sanjh by RetroArts, has brought together around 100 artists to raise funds for the flood-affected

By Naeem Safi

It is said that residents of Muslim Spain -- when Granada was at the pinnacle of civilisation of its time -- reached a level of sensibility where giving a single fruit as a gift would symbolise sharing a part of one’s life.

Pakistan, a tiny country in terms of its stature, and all time low on the charts of civilisation, is witnessing something roughly similar in its spirit to the above-mentioned sensibility. Sanjh (togetherness, exhibition’s title) by RetroArts has brought together around 100 artists to raise funds for the flood-affected Pakistanis. The exhibition, which includes paintings, sculptures, photographs, and digital prints, has opened yesterday at Alhamra Art Gallery and is scheduled to remain open for a fortnight.

It is one of those rare art events where one will find such an overwhelming number of artists -- senior as well as new -- from Pakistan and abroad, showing under one roof, setting an example to set aside all differences, if there were any, and connect for a better and secure future. Apparently, all this may sound like a cliché, but in reality, is not that common.

The donated artworks, mostly, were originally produced in other times and with different moods and intentions; it is the collective objective behind their display that makes this particular exhibition different from the others. The visual artists have put in their bit, by gifting some pieces from their lives to get some bread and medicine for the flood victims. Now it is for the art collectors, the donors, and the public to show their level of sensibility.

The Pakistani apparatus could learn a few lessons from its counterparts in the First World for how they have used, and are still using, visual and performing arts for the promotion of their respective ideologies, especially in the second half of the 20th century.

It is not easy for everyone, and especially artists, to remain indifferent to the reality that surrounds them, particularly when the reality is predominantly dark and grim; a spark of light is always welcomed. While the local and foreign media -- driven by the pressures of their respective marketplaces, and greed; the soulless leaders -- political and other; the ever-growing mass of pessimists; and above all the fundamentalists, are painting everything black in Pakistan, let the artists come out of this chaos, head to the forefront and splash some colours on the horizon, neither for left nor for right, but for hope and life. The artists must spearhead the quest for identity, as they are usually the first ones to break on to the other-side.

Some of the featured artists in the show are: Saleema Hashmi, Ahmed Ali Manganhar, Ayaz Jhokio, Farida Batool, Huma Mulji, Aasim Akhtar, Mohmmad Ali Talpur, Ayesha Jatoi, Asif Ahmed, Amira Farooq and others.

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Published in The News on Sunday

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