The Scent of a City
by Naeem SafiFaçades above Sarafa Bazaar |
The current image of Peshawar, battered and dangerous, owes much to the mediated knowledge spread mainly through media—and endorsed by events that have killed hundreds of its inhabitants. The consistent collisions of interests in the region have left the residents of Peshawar with little else but to romanticise the city’s past, recollecting bits from the chapters that deal with all that was glorious. Understandable, when much at present appears to be dust and smoke.
But look closely and with love and you will find a lot still to appreciate. Follow the footsteps of world-renowned travellers and conquerors and arrive at the highest point in Peshawar, Gor Khatri. The archaeological findings here date back 2,500 years, in one of the deepest archaeological trenches of South Asia, and make experts claim that Peshawar has been alive for eons. Civilizations here, among several layers of earth, have left occasional terracotta pieces, jewellery, coins, weapon fragments and bones—samples from which are at display in a shabby little museum at the corner of the compound. The Goraknath temple was reopened for worshippers last year and located parallel to a mosque sharing the same compound.
A Door at Masjid Mohabbat Khan |
Spicing Up, a Spice Merchant at Bazaar-i-Dalgaran |
Lapis at Shinwari Market. (Peshawar's Christie's) |
Further down the road is Chowk Yadgar, now a reinterpretation of the plaza hosting an old monument and the stand from where, up until the late 70’s, one could hop onto buses to Kabul. The new design has an added underground passage with some parking, few shops, and landscaping on top. The steep alley called Sarafa Bazaar, lined with goldsmiths, reaches Lady Reading Hospital and Bala Hisar Fort. The famous Shinwari market has genuine antique Afghan jewellery, ceramics, glassware, and textiles. Nearby is the Mughal period Masjid Mohabbat Khan, its elaborate arches and domes adorned with colourful frescos. Just a few decades ago, a donation of loudspeakers by a devotee had triggered passionate protests by religious leaders calling for their removal. They declared that they were sorcerer’s horns for their resemblance with record players. The legacy of that thinking has sadly come true for the city.
Hakeem's Laboratory at chowk Pipal Mandi |
One route from the Chowk reaches Pipal Mandi and winds towards the historic Qissa Khawani bazaar. Along the way is Bazaar-i-Dalgaran, filled with the aromas of teas and Indian spices, serving the taste buds of its customers with unique blends. Even the inquisitive Michael Wood was not disappointed when he ended up here in search of an ancient tea called soma. In his documentary, The Story of India, he says, “the Rig Veda talks about a sacred drink, central to the Aryan’s rituals; a speciality of the tribes around here... there are many of their thousand poems devoted to the merits of drinking soma, almost as an elixir of the gods.”
Teatime: At a balakhana of an old inn in Qissa Khawani |
Remains of a Heritage at Bazaar-i-Misgaran |
One reminder of the times changing is the aluminium, stainless steel, and plastic being sold by the bronze and copperware sellers of Bazaar-i-Misgaran, catering to the declining tastes or the shrinking budgets of their customers. All that is left of their glory days are the copper samovars that are still used by the traditional qahwa khanas and chai khanas. At the turn to Qissa Khawani is the alley where Peshawar Pottery was once an attraction for ceramics lovers. Once upon a time, Qissa Khawani was the place of exchange for merchandise from Central Asia and India. The bazaar ends where Kabuli Gate once was. It has silently disappeared to make way for the trucks that have replaced the caravans.
Like most historic cities of the region, the tangible and intangible cultural heritage of Peshawar has fallen prey to the onslaught of kitsch. The fragments that remain owe their existence to the lack of means for their replacement rather than to their conscious preservation. For taste has hit new depths. Now grey blocks and monstrosities ostentatiously covered with cheap tiles have replaced the classic city architecture such as balakhanas and jarokhas with their intricate woodwork, arches, and stuccoes.
The Replacement at Bazaar-i-Misgaran |
Once known as a city of gardens, the cityscape has been vandalised by none other than its elected leaders who have constructed unjustifiable overhead bridges, consuming green belts and trees along their paths, in utter disregard for historic monuments. However, much can still be salvaged. In spring, blocks after blocks of the city are drenched in the scent of citrus flowers, a scent Mughal Emperor Babur had noted on his way to India.
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Published in DAWN, All About Lifestyles! June 22, 2012
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